U p c o m i n g C o n c e r t s
February 01, 2026
Four hands and a piano
Piano four hands works of Mozart, Brahms and Ravel with Georgy Voylochnikov
Villa Sibilla, Bad-Neuenahr-Ahrweiler, Germany
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February 20, 2026
Brahms 2x
Brahms Streichquartett Op 51 No 2 in A-minor for piano four hands with Georgy Voylochnikov
Bismarkstraße, Bad Honnef, Germany
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March 14, 2026
Violine and piano four hands
Piano four hands works of Brahms, Ravel and Kreisler with Yamen Saadi (concertmaster Vienna Philharmonic) and Georgy Voylochnikov
Kursaal Bad Honnef, Bad Honnef, Germany
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Further dates to be announced
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P a s t C o n c e r t s
April 12, 2025
Strolling with French and German composers
Piano four hands and 2 pianos with Georgy Voylochnikov and others
Villa Sibilla, Bad-Neuenahr-Ahrweiler, Germany
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December 4, 2024
Lied ohne Worte: F. Mendelssohn Bartholdy
Piano and violine with Yamen Saadi
Pierrez Boulez Saal, Berlin, Germany
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Part of the Beethoven award ceremony 2024 for Daniel Barenboim.
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September 29, 2024
Matinée-Concert: Mozart, Fauré, Schubert and more
Piano four and six hands with Georgy Voylochnikov and Stavros Dritsas
Villa Sibilla, Bad-Neuenahr-Ahrweiler, Germany
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July 18, 2024
Four-handed magic: Schubert, Poulenc and more
Piano four hands with Olivier Godin
L'Entrepot Lachine, Montreal, Canada​​
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December 6, 2019
Max Bruch's Kol Nidrei
Cello and piano with Manuel Lipstein,
Erlöserkirche, Bonn-Bad Godesberg, Germany
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This concert is part of the 5th Beethoven award ceremony.
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July 4, 2019
DvoÅ™ák's Slavonic dances
Piano four hands with Diana Kettler
Bahnhof Rolandseck, Remagen, Germany (part of ​the 14th Rolandseck festival)
June 4, 2019
Ohne Netz und doppelten Boden - From Nino Rota to Ravel's Bolero
Piano four hands with Itamar Golan and acrobatic rope dance by Masha Dimitri
Bahnhof Rolandseck, Remagen, Germany

March 24, 2019
Moments musicaux
Two pianos with Olivier Godin
Chapelle historique du Bon-Pasteur, Montreal, Canada
December 12, 2017
Lutosłavski's Paganini-variations
Two pianos with Martha Argerich
Maritim Hotel, Bonn, Germany​ (critic)​